adagio Albinoni Kertsopoulos 3-2-1 course guitar

Posted by Rob · Saturday

The Albinoni adagio played live in concert by Y.kertsopoulos on a triple-double-single course guitar possessing double and single octaves. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar’s aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.

Duration : 0:6:22


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Comments

By CAPRISUN441 on June 6th, 2009 at 7:54 am

I like the way he …
I like the way he played it, I wish the sound quality was better.

By macbookpromaniac on June 6th, 2009 at 7:54 am

I HAve the notes ;)
I HAve the notes ;)

By tripakia on June 6th, 2009 at 7:54 am

Very nice, you do …
Very nice, you do not often get the chance, especially on the Internet, to hear to such excellent musicians and composers. Go on Yorgos!

By rbrandon42 on June 6th, 2009 at 7:54 am

Very nicely done, …
Very nicely done, Yorgos! One of the most beautiful pieces of all time and you serve it well. But the video of it does not serve it well. Get rid of all the useless splicing that only only confuses.

By franckph on June 6th, 2009 at 7:54 am

It’s sounds really …
It’s sounds really great! Congratulations

By franquesadamata on June 6th, 2009 at 7:54 am

Awesome, very …
Awesome, very beautiful. Thanks to Afik for sharing.

By GodLight88 on June 6th, 2009 at 7:54 am

Genuis
Genuis

By lingkongjin on June 6th, 2009 at 7:54 am

Ah, qué lindo suena …
Ah, qué lindo suena eso, muy buena versión.

By MikeAK147 on June 6th, 2009 at 7:54 am

This is EXCELLENT, …
This is EXCELLENT, I love this song.

By eehrysos on June 6th, 2009 at 7:54 am

bravo, verry good, …
bravo, verry good,μπραβο κ.Κερτσοπουλε, πολυ καλο….

By guitmusic on June 6th, 2009 at 7:54 am

Indeed a fantastic …
Indeed a fantastic interpretation on an expressive sustain of the notes which is a necessity for this piece especially.

By guitarcrit55 on June 6th, 2009 at 7:54 am

an exceptional …
an exceptional interpretation!We can hear double octaves, octaves and single notes coming from a guitar which resembles a baroque orchestra.How is this accomplished?Exceptional indeed!

By CEPANDAL on June 6th, 2009 at 7:54 am

awesome!it sounds …
awesome!it sounds different from any other guitar transcription i have ever heard!very unique!

 

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