The âdiarrheaâ of âan awful lot ofâ contemporary âpop, rap & rockâ music (but not all!)
Do you know what happens when you live on a diet of processed entrees and fast food? When never a fresh fruit or vegetable passes your lips and your fiber count is measured in âmgsâ instead of grams? You guessed it: that horrible âDâ word. Also known in medical circles as IBS (irritable bowel syndrome) –
So whatâs up with the computer spew of 75% of many contemporary popular artists? They, say the song is dead; well who killed it? Was it the independent label music movement? Certainly NOT! Was it rap, punk, or grunge or whatever? I’d say, could be. Was it Madonna who first put the crack in âThe Wallâ of song composing and instrument playing that earlier generations so carefully began brick by brick? I donât know — for you, but for me, itâs been a downhill ride since 1984.
I was one, well, that was at âthe roots of rockâ sort of speak (thanks to an older sister who took me to the Fillmore East in New York City at age 14) â I was naïve enough to ask about that âfunny smelling smokeâ and those funny looking cigarettes; I later thanked her, for I saw âSantanaâ live there when their second album (Black Magic Woman) hadnât even hit the shelves.
I saw PINK FLOYD at that venue a year later when they were still called: The Pink Floyd and they had an opening act play before they came out (i.e. later when fame hit: Pink Floyd ALWAYS played alone because of their massive WALL of speakers and equipment.)
I saw bands in New York City that are now relics: Procol Harum, Jethro Tullâs first incarnation, YES, Bob Dylan WITH âThe Bandâ!! â even Black Sabbath after their 1st LP; and, âMott the Hoopleâ touring their FIRST LP. (Remember them? –an LP is an old vinyl record that was played on a turntable. YOU didnât âuse the turntable to scratch! â And they made crackling and popping sounds. LONG LIVE THE CD! And the mp3 too) But, I digressâ¦
So where is this blog heading?
Today you can record and cut a CD in your bedroom. Then, (IF you have enough friends and a gig someplace â or JUST USE U-Tube) you can SELL CDs to YOUR FANS, if you can GET ENOUGH, youâll even make money; MAYBE! It can all be done on your HOME Computer. And why, because YOU are a musician? âFrankly NOT my dearâ as Gable used to say. (Gable who? say the younger readers?) Itâs all virtual marketing after thatâ¦
In case you’re still naïve as to how IT is done – that so many of todayâs artists may not need to know almost anything about music, let alone, spend years playing an instrument or singing – and yet get on the âVirtual Airwavesâ and even end up on the Today show spot, along with the âsinging babiesâ that periodically appear on the internet sites and on âYou-Tubeâ. Well it doesnât even take âRC’sâ [read Record Companies] Perhaps just a shrewd âBoomer or GenXâ Mom/Dad Manager)⦠Yep, itâs âPerformance Nowâ and thereâs very little music to worry those Artists about. The RCâs can still get their cut and have absolutely NO REASON to complain!!! – About the âIndie and Virtual Music artistsâ wrecking their profit.
THEY helped âbuild the beastâ they fear everyday (and I hope it does eat their Creator like a type of âCannibal Babyâ gone wild).
And “they” profit everyday by the existence of a youth-culture fueled âMusicâ industry whoâs âHeart & Soulâ is made up of the âclinking, clacking, metallic empty bangingâ of a musical palette of sounds that is âas Soul-LESSâ as the heart of the âKing Beastâ himself (you know that Devil âSamâ who is lurking behind everybodyâs dream of a âmusical-career “Garden of Eden”) â
As for those âSinging Babiesâ and âParading Sex-Toy Imagery of âTwelve-year+ somethingâ girly-woman – parading across the video screens of Virtual and TV America (every so often) THEY, and those nice Boomer+ parents, are just hoping a couple will spell âC.A.S.H.â BIG TIME! – This is of course, once their product âGoes Viralâ¦â
And so many of uâYou-tubers,â (particularly) the older viewers will be âfooled-againâ â having, (in anemic mental-lapses) forgotten the âAnthem of YOUR Youth: âWe Wonât Be Fooled Againâ (Who?); and, all those âsmashing guitarsâ instead of âSmashing âthose damnâ Pumpkinsâ (now Geriatric!)â¦
All BECAUSE âUâ donât have the âdog-damnâ SOFTWARE that I just have to throw in the garbage! (I made a resolve NOT to swear lately, I donât want to break my will just yet) â nothing against âdogâs really! â Though I am sort-of âone of those cat-guysââ¦Please donât message my email, I LOVE animals with four-legs and some with two. (Itâs spiders and insects with multiple legs that have been giving me the creeps lately, but then I live in a âreal FORESTââ¦
It came in MARCH: The last âmusic equipment purchase I knew I was going to be able to make for quite sometime unless, – MY CD goes âViralâ – (highly unlikely as I donât own a Video camera or even a digital camera) It will be tough to get on YOU-Tube or even MySpace Music with my âold-fashioned music-making wayâ (and so MUCH profitless Work â not to mention that! â Unpaid labor, hardly worth it) – but thatâs aside the point:
In March (as I said), I bought a $100 desktop âplasticâ 2-octave Midi Controllerâ keyboard with my last savings, (2 octaves means that it only has 25 black & white piano-looking keys) and along with that came (from this decptive âkrautâ company) the: âVirtual Music Starter Desktop Composing Packageâ (a VMSDCP (!)) complete with 50 of the âLatestâ Digital Virtual Sounds and Samples (your DVSS’s!) that I thought my music was lacking(?!) â Or perhaps, I had a series of âfaithlessâ self-doubts and collapse of my initial musical resolve formed so long ago in those many long hours and days behind âMy Old Black & Whiteââ¦But again, I digress:
So although the keyboard will be minimally useful at my computer desktop for editing and notation work, those wonderfully and cleverly named (and they really are!) modern sound samples have yet to be able to even be tested out with this ârat-likeâ maze of a software package! âTheyâ (the Kraut Company) sent me for my $100 apparently a bunch of âdemo-softwareâ that âTheyâ never even paid for â unfortunately you canât do much with it! – If only after loading the .dll files I could hear the damn things on a reliable basis. But yes, I do like the names: i.e. Delay Lama, B-Assault, AManalogWar, etc â endlessly creative really!
So when I finally got a few to sound after much frustration the musical use was questionable, (for me I mean); unless you are purposely avoiding any musical references. But most of all, there was this âambience of artificiality about them allâ â This is the âso called musical worldâ we are abandoning our youth to, (I philosophically reflected, as I endlessly clicked and re-clicked the samples with my mouse trying to get them to sound). âThis is a world where a real guitar or piano is mostly a âpropâ â
Somehow every sound seemed to me the equivalent of âthose frozen-processed entreesâ Once in a while, a nice touch to a busy life and schedule; eat them regularly and âdiseaseâ is sure to get deeply-rooted with time.
OK so Iâm not too fond of todayâs musical sound palette, but itâs not just that:
The âcomposing software and the music softwareâ that is the foundation of so much of the rock and pop that even comes out of the big studios today is not something that âmiffs meâ (believe me, I AM NOT that âold fashionedâ I just like old 40âs movies). I understand it only too well; way back in the 1980âs when many of todayâs young artists where still their âdaddyâs spermâ beginning that long swim up their âmotherâs canalâ, I spent untold hours hunched over then âmodern synthesizersâ creating such effects and sounds; BUT by myself, with only the good old tech manual and use of dials, filters, oscillators⦠and so forth.
Todayâs gig>>> You no longer compose music (especially from âyour musical soulâ) you download and merge the âpre-foundâ clips and beats included in the package. A âSoullessâ and âJoylessâ process in my opinion BUT not necessarily an instant, easy one. The âResultâ? Everything you create has this âvirtual stampâ on it and sounds like every other âvoice in the box.â True, you shape it but hardly worth the learning curve to me.
As (the) PINK FLOYD predicted way back in ’74 with their song: âWelcome to the Machineâ ) from the album: âWish You Were Hereâ the machine is now as a voice and its soul is in the âboxâ even if you try to musically think âoutside the boxââ¦And believe me: I loved MY PINK FLOYD⦠and English bands in particular. Their foresight is now come to pass (meaning: it is now true in reality what was fantasy in their lyrics)â¦âWelcome to the Digital Soulâ>>>
So from the âsoul-lessâ world of contemporary modern desktop composing, I now fondly bid you adieu⦠I and âmy lonely soulâ like a musical Henry Thoreau at some far-away âWalden Pondâ on a frontier far from the âmodern worldâ return to my âDigital Pianoâ that at least has 88 âreal-actionâ keys and perhaps later tonight to âMy Old Black & Whiteâ (still resting peacefully in my kitchen foyer). I played the theme to my song: My Old Black & White on it the other day, she sounded pretty good considering âsheâ hasnât been tuned since my then 86-year-old piano tuner died (I think in 2002).
My old black and white, Greets me with silence, every night.
And whenever I walk through that door;
Sheâs been my friend now since â74
Sheâs still my old black & white
And though her keys no longer shine so bright,
Sheâs kept me company (through) many a lonely night.
Sheâs still my old black & white
I posed for the above picture the day of a concert I played for over 35 people in a log cabin, called âThe Music Shedâ in Cummington, Mass., A nice open-air mountain town of New England.
I was 30 then and I remember it as passing as briefly as a âsummer dayâ in New England. The last year my body would be unmarred by âthe needles of dialysisâ and the ensuing struggle of the next twenty years of poverty and struggle to keep myself faithful to my chosen goal and commitment: to learn to play a REAL PIANO. I thought it was just the beginning of long and fruitful career doing this; but I hadnât seen my latest blood reportsâ¦.
It was a glorious June Day in the New England mountains and I played a grand piano, very well indeedâ¦
My bio is where you can read more about my music and find links to listen and purchase my CDs: August Ocean Overture, and In Memory Only
Michael A. Guy
http://www.articlesbase.com/music-articles/the-real-world-of-digital-music-production-682677.html